It’s early April in Palm Springs, it’s hot as hell in the desert, and media agencies, advertising agencies, and technology companies alike are strolling through the doors of the Miramonte Hotel, two years after the onset of COVID-19. Everyone is ready to embrace new and old faces, but more importantly, navigate this new era of change and uncertainty that has undoubtedly made its mark on the advertising industry.
I was lucky enough to attend this year’s Digiday Media Buying Summit where I listened in on many fireside chats and panels, as well as participated in town-halls and group discussions surrounding the hot topics in the media and marketing world. There were a lot of interesting conversations about new media channels, data privacy, etc., but there was one in particular that really struck home for me: the rise of the independent agency.
I know this idea isn’t necessarily a new phenomenon per-se. But although the pandemic has disrupted ad agencies of all sizes, it’s become clear that this ‘experience’ has really showcased the power of the independent agency model. I was very proud to be representing Connelly Partners prior to the summit, but I left feeling even more proud to be part of an organization that embodies and exhibits the unique value and strengths that independents can offer.
To highlight a few:
Agility
Surviving in the marketing industry means being able to quickly adapt to the needs of your consumer. As market demands continue to change at extremely high rates, there is an insane amount of value in the ability to be flexible. Every company knows that. Leaving wiggle room for innovation and change is a vital part of being successful. Simply put, ad agencies that are independent have less red tape. They’re free from agency network bureaucracy, allowing them to make quicker decisions and react at speed.
Choice
Independent ad agencies make their own choices versus having them made for them. This is reflected in the talent that they hire, the various strategic business decisions they make, and having the privilege of seeking out prospective clients who are like-minded, demonstrate very similar passions, and exemplify the same philosophies and values.
Accountability
Independent ad agencies are able to take accountability for every action they take, both good and bad. But, they kind of have to as small shops as there’s no one else to pass the blame to. While it’s easy to bask in success, it’s equally important to own up to mistakes. This type of transparency works well for both clients and employees.
Creativity
Independent ad agencies are typically smaller and have fewer resources. This can actually be perceived as quite a large advantage as it provides departments more clarity and encouragement to be resourceful in how to think about developing and communicating new ideas, strategies and insights. The notion of “less is more” is completely suitable in this case. Independents scratch the surface to find solutions that perhaps haven’t been contemplated by others previously.
It was rewarding to hear many people share the same perspective in that independent agencies know damn well how business is run. They are laser-focused on the well-being of the client, while also taking the time to understand their bottom line. Most importantly, independent ad agencies truly care about the impact their work and dedication has on the overall business, a priceless aspect that money can’t buy.
Key Takeaways From the Digiday Media Buying Summit
Ali Sayles, Media Supervisor
This month, Connelly Partners gave me the opportunity to take a break from my day-to-day media planning responsibilities to attend the Digiday Media Buying Summit in Palm Springs, California. Along with enjoying the beautiful weather, I was able to learn from some of the top media executives in our industry. During our three days together, we covered a variety of topics ranging from emerging media and marketing trends, the cookieless future, and ways to evolve media strategies. I walked away with new connections, and a breadth of knowledge which I’m excited to share with my Connelly Partners colleagues and clients. Here are a few of the topics that stood out:
Transparency is key.
With the cookieless future upon us, it’s important, now more than ever, to ensure that we’re transparent with how we’re collecting and measuring media data. This impacts communication not only with marketing and advertising clients, but internal agency teams as well.
Clean rooms are the new future.
Clean Rooms are a must in order to ensure that media data is being used in a privacy compliant manner. Many media and technology vendors are offering their solution, but it’s important we align on which solution is the path moving forward. 2023 will be here before we know it.
Metaverse is emerging, but still too new.
There’s been a ton of conversations surrounding media and the Metaverse, but the hype outpaces the material value. There are still questions that need to be answered; Where does the Metaverse fall within the social and media landscape? Will there be advertising within the Metaverse? How will we do it? Can we measure it? It’s still too early to tell.
Gone are the days of upfront media planning.
The pandemic has increased the need for media teams to be nimble when it comes to our media strategies and tactics. We saw this with COVID-19, the Ukraine and Russia, as well as the chip in the auto industry. Events like these have forced us to have a plan A, B, C, and D ready to activate.
So, what’s next for media planning and buying? If there’s one thing that I learned, it’s that what’s next changes constantly. Tools, products, and technology are constantly evolving, but that’s the best part of our job; no day in media is the same. Stay hungry for knowledge, be a sponge, ask questions, and poke holes.
Oh, and stay hydrated, because it definitely gets hot in the desert.
Celebrating CP’s Female Leaders
This week marks the beginning of Women’s History Month, and to celebrate, we asked a few of our leaders to take a moment to reflect on some of the major influences in their lives that helped shape them into the people they are today. Here are some things we can all learn from these remarkable women.
Find your people
If you were to ask me how I became the first female CCO in the city of Boston, I could mention the hard work, the campaigns I helped create, or my relationships with clients. But really what it comes down to is that I found my people early on. Probably the single most important piece of advice I could give to any aspiring creative director. You have to surround yourself with your personal Board of Directors. I am inspired by mine. The person who will ultimately be your boss of 25 years who sees you as a creative person regardless of gender. The person who develops concepts with you and will take the time to discuss mutual parenting strategies before heading toward an idea. The people surrounding you on a daily basis who are open-minded enough to hear all perspectives but opinionated enough to tell you theirs. And make you laugh. It’s so important that they make you laugh. Most importantly, I’m inspired by my family who lets me be my authentic self while simultaneously reminding me why it’s all worth it. I’m not sure I can pinpoint any one person or thing or event that has inspired me the most over the years, but I know this: I did not do this alone.
I have been the beneficiary of three incredible leaders in my career who all helped to shape me into the leader I am today. One who taught me the importance of pushing past comfort zones (by literally shoving me into a role that I didn’t think I was ready for), one that showed me the strength in being an empathetic leader (and how as women that is a huge advantage), and one that attuned me to listening – really listening (what isn’t being said, that you are hearing). However, in each and everyone of those leaders, never once was I made to feel like failure wasn’t acceptable. They collectively led from a spirit of encouragement and never fear. Fear-driven leaders can breed a toxicity that debilitates their staff and the damage often can be unrepairable, thus negatively impacting culture. My advice to any aspiring leader is to provide clear guidelines around expectations, offer all the support when they need it, then allow people the wiggle room to succeed and fail. Let them show you what they are capable of. And in the worst case that there is failure – this is where people will grow the most.
– Nadine Cole, President, VRX Studios – Vancouver
Compassion and determination are the keys to success
My mom, Marian, has inspired me to lead with determination and compassion. As a divorced single mother, she fearlessly pursued her own career ambitions in education, which is something that I always admired. Beginning as a 5th grade teacher and ending her career as an Assistant Superintendent, she wore many different leadership hats, including Troop Leader for my Girl Scout group! My mom had high expectations for her students and fellow educators, but never let her firm approach affect the relationships she built with everyone she encountered. To this day, students she taught decades ago still keep in touch! That’s the kind of leader I strive to be.
My advice for aspiring leaders is to strike a delicate balance between being assertive and direct, while still allowing your personality shine through. When it comes to team building, it’s important to create strong relationships with your peers. If you’re all business, all the time, it’s harder to foster those long-lasting connections. Instead, find a way to lead with empathy, as it will earn you respect, and ultimately help your team to achieve its collective goals. No one wants to work for a leader they fear and I’m a firm believer that compassion is the key to success.
– Alyssa Stevens, Director of Public Relations and Social Media – CP Boston
Be fearless
I have been inspired by so many people in business. Each job I have done, no matter how random and unrelated to my current role, has taught me a skill that helps me today, taught to me by someone I admired. Most important for me, was how the task was done, and by that I mean how people were treated. Respect and kindness can never be overrated.
More than anything, I admire and am inspired by people who, through curiosity, sheer determination and tenacity, have achieved great success. Especially people who did not have support to guide them in their younger years. I firmly believe everyone has it in them to do well in whatever field they choose – extraordinary people are just ordinary people who go that extra mile, but having a mentor along the way helps.
I grew up in a family of successful entrepreneurs. I am one of six children, and am currently the only one not self-employed (though I did have my own business for 10 years – I had to!) My dad, although no longer on this earth, still inspires me. After he graduated with a degree in engineering, he, like so many Irish at the time, headed for the USA. As part of this programme to get his visa, he did training with the Marines. One of the key takeaways was something that stayed with him all his life, and influenced me as well. It was these four words: “Just one more step.” No matter how big a task seems or how overwhelmed you feel by the scale of it, just focus on one more step and you will get there – you don’t have to have everything figured out, just the next thing on your list.
My current inspiration is a mantra I repeat daily as I strive to be more focussed and efficient in a world where we are pulled in so many directions each hour – it’s the following quote from Aristotle: “We are what we repeatedly do. Excellence, then, is not an act, but a habit.”
So many of us suffer from imposter syndrome, thinking we are not as bright or as gifted as others, when really it boils down to determination, being fearless and getting into good habits.
– Vaunnie McDermott, Client Business Director – CP Dublin
Don’t give up, even when things are hard
This may be cliche, but I owe so much of what I’ve been able to do throughout my career to my mother, who was from a generation of women caught in the middle of the working mom movement. She grew up in the late ’50s when women were schooled in homemaking, only to be told by society in the early ’80s that, not only could she have it all, she was expected to do it all. The issue was that the culture of pressure and expectation hadn’t yet shifted to be supportive of working moms. I watched her juggle those expectations – going back to college, starting a job with young kids, finding her voice – and the toll those expectations took on her, her family, and her marriage. Yet, I watched from the safety in knowing that I was blessed with so many options. This taught me that doing hard things was not only possible, but so very important.
– Michelle Capasso, Partner, Director of Media Services – CP Boston
Engaging Women Beyond Sappy Spots and Pepto Pink During the Super Bowl
Featuring: Alyssa Toro, Sr. Partner, Chief Creative Officer, Michelle Capasso, Partner, Director of Media Services, Sarah Taylor, Group Brand Director, Ally Chapman, Senior Brand Strategist, and Kristen Kearns, Executive Producer at Element Productions
Did you know that women make up over 80% of purchasing decisions? Or, that almost half of those watching the Super Bowl are female? It goes without saying that women are an important demographic that brands should be paying close attention to. In this discussion, we examine Super Bowl advertising from a unique, female perspective.
We discuss the role of humor, relatability and authenticity in commercials, as well as recent trends in roles and stereotypes, concepting and execution. Using Super Bowl spots and our own survey findings, we explain why the spots were successful or where they missed the mark.
Inside CP’s Student Loan Paydown Program
Connelly Partners Benefits Administration
The recent Massachusetts State Legislation bill H-2985 proposal introduced by Rep. Kate Lipper-Garabedian is a major development to help address the crushing student loan debt crisis. The proposal would offer companies who contribute to their employees’ student loan debt with an annual $2,000 state tax exemption per employee. It’s no secret that the cost of obtaining a college education has skyrocketed in the last twenty years, far outpacing wage growth. This concerning trend shows no sign of stopping and, as a result, an entire generation of the workforce faces a perilous financial headwind. Four-year colleges costing upwards of $300,000 is an eye-watering amount for both parents and students alike.
As an employer, we share a responsibility in the student loan debt crisis.
At Connelly Partners, we feel that we share responsibility with our employees, as job requisition requires a college degree to maintain a talented workforce to best serve our clients.
An alarming trend developed at Connelly Partners as 401k participation rates among our younger employees was low. A benefits package should address the needs of the entire workforce demographic. Building a generous 401k matching program and supporting robust medical related insurance offerings is an obvious starting place. As benefit administrators, we must consider that our “under 26” employees in their first or second job out of college are most likely still going to be dependent for medical insurance purposes. Therefore, a benefit this employee can take advantage of is starting contributions to their retirement savings. Well, let’s face it, it’s extremely hard to save for retirement with tens of thousands of dollars of student loan debt payments looming ahead.
At Connelly Partners, we wanted to do something about this. So, we did.
In June of 2016 we became the first advertising agency to partner with Gradifi to introduce a Student Loan Paydown benefit for all our employees. The program is a five year long commitment to our employees to help pay down their student loan debt faster with monthly employer contributions paid directly to the student loan balance.
The long and short of it? We make direct monthly contributions to employees’ student loan principals over the course of five years for a total of $10,000 per employee. Since June of 2016, Connelly Partners has contributed over $300,000 and counting to our employees’ student loan debt.
Offering the Student Loan Paydown Program has not only added an important benefit that appeals to the younger workforce, but also increased the participation rate of our 401k retirement plan to one of the highest percentiles in our industry. We couldn’t be happier with the trend reversal to support long term financial wellbeing for all our employees.
We understand there is no easy solution to the student loan debt crisis. We applaud bill proposal H-2895 as a step in the right direction between government and employers. However, it’s not enough. According to 2022 State House News Service, this bill tax proposal is estimated to cost Massachusetts $1.8 to $6.7 million annually. For perspective, Massachusetts collected $34.14 billion in taxes in 2021. For the greater good of confronting the student loan debt crisis, we hope there will be much more to come by both state and federal governments. In the meantime, we continue to combat this crisis with our paydown program. Why? Because it’s the right thing to do.
I judged the Campaign US Big Awards – Here’s what I noticed
Clark Shepard, Senior Copywriter
I was recently granted the great honor of judging the inaugural Campaign US Big Awards. The judges, as they phrased it, were comprised of the “next generation” of creative voices in advertising.” The people who are supposed to have their pencils on the pulse of what’s cool – and what’s soon-to-be cool. It was gratifying, and equal parts humbling, to be able to sit in with writers and designers from around the country as we dissected the very best work our industry produced in the past year. I came away with some friends, an invite to a catered event in NYC (forever here for free food), and insights. So many insights. Here’s a few of my hand-picked favorites.
Digital is hot, but print will never die.
It’s easy to get caught up in the maelstrom of social activations, hashtag movements and, dare I say, viral tweets, but let us not forget the paper matriarch who paved the way for all of it. Perhaps my favorite ad I voted on this year was simple in its execution, and brilliant in its message.
You booked Brad Pitt for a commercial, so what?
As someone who has never worked on a campaign with a $20 million dollar ad spend, I can say this with conviction: We need to celebrate creative problem solving as loudly as we celebrate Super Bowl ads. The creative thinking required to put out award winning, needle moving work that 1) isn’t aided by a multi-million dollar budget and 2) doesn’t need a celebrity cameo to make noise is what will always impress me the most.
Don’t be anti-social. Even though it’s hard.
There’s a metric ton of platforms at our disposal these days. That’s not changing anytime soon. In fact, the only thing that is inevitable is that by the time our industry has completely caught up to Tik Tok, it will be replaced by something else. This thought scares a lot of people in our industry to not even try to master these tools. Resist that urge, friends. Jump in with both feet. Ride the wave. Try and fail. And fail and fail and fail. Because the more you actively fail, the closer you’ll get to striking gold. It probably won’t make sense when it happens, so don’t try to make too much sense of it along the way. Remember, our job as creatives isn’t merely to make the stuff. Our job is to experience the world – and sometimes the world is a Tik Tok dance. You laugh, but no one’s laughing harder than Applebee’s right now.
So, what can we learn from all this? Here’s my take: there have never been more platforms for us to tell stories on behalf of our clients. It’s all a little scary if you pause to think about it. So don’t pause. Keep learning new tools, keep studying your peers, keep living your lives (and taking notes). Oh, and if you get asked to judge an award show, do it. Your work will be all the better for it.
The 2021 Fast Company Innovation Festival has come to an end. With its roster of A-list speakers, like Drew Barrymore and Robin Roberts, and thought-provoking sessions, we’re coming away inspired with new ideas. Here are our top takeaways, many of which resonate with who we are and how we approach our work at Connelly Partners⏤to protect brands from self-importance, to amplify their heartbeats, and to embrace empathy over entertainment.
A title is not what’s important. In the session, “The Case for Optimism,” Drew Barrymore discussed how titles may be necessary for context, and organization, but they also keep people in a lane, or a silo. Building integrated teams that utilize people’s strengths and passions creates a better functioning environment. At the end of the day, Barrymore stressed that “people only want to do what they want to do.” And they can be truly unstoppable if a fire burns within them. Let’s consider integration beyond department-diversity, and instead, strive to build integrated skill set/strength teams too. You’ll be amazed at the magic that happens when you allow people to use their creativity and work together in different ways.
Be a bright spot, not a blindspot. Another piece of wisdom we learned from Drew Barrymore is that we tend to believe that optimistic people are in a constant positive state, but that’s not the case. Seldom is optimism found easily⏤ and the kind of optimism that has merit requires fighting through the day to reach that ideal state of belief, hope and happiness. When faced with a mountain, don’t let your mind tell you that you can’t climb it. Turn around and look at the mountains you’ve conquered before. It’s easier to be pessimistic about life’s challenges, but working hard to look to the bright side will be even more rewarding. It might sound trivial, but by simply being as kind to yourself as you are to others and forgiving yourself like you forgive others will do wonders.
Stop treating ‘no’ like a stop sign. If you’ve heard of Good Morning America then you know journalist and anchor Robin Roberts. However, you might not know that she also owns her own production company, Rock’n Robin Productions. In “The Anchor: A Conversation with Robin Roberts,” she explains that a major lesson that she has learned through this business endeavor is to learn how to hear the word “no,” a lesson, she emphasizes, everyone needs to hear. And Roberts is not the first person to experience this. Just look at some successful people from the last century. They had to hear “no” a number of times. Take Walt Disney, JK Rowling, or even Stephen King for example. They were rejected and told “no” over and over. But, their resilience to keep trying instead of giving up paid off.
In the “Mastering Scale and Creativity with Reid Hoffman and June Cohen,” discussion, June Cohen, CEO of media company WaitWhat, emphasized the importance of being able to “interpret those no’s in a different way.” No can mean “not yet,” or “not quite,” or “not entirely sure.” It doesn’t have to be the end of the idea, or the end of the conversation.
You only die once, you live everyday. When describing her outlook on life and finding her purpose, Roberts rebuked the idea of “YOLO – you only live once.” Instead she said, “You only die once, you live every day.” We are always becoming and evolving until the day we die. Knowing that we’ll be called to step up and lead at one point or another⏤ whether it’s in our personal life, professional life or both⏤ we are all leaders, regardless of our job title. Roberts believes good leadership requires understanding “three C’s and one E”: Confidence, Courage, Clarity and Empathy.
We took away that being a good leader means being authentic and sincere and acting defiantly human. Roberts stressed the importance of this by explaining that, “people don’t care that you know [about their lives and situations] until they know that you care [about them].” Start listening to people more, checking in on them, and being there to support them.
Process over product. You’ve probably heard the phrase,“It’s about the journey not the destination.” Never underestimate the journey. When we are going about our daily lives we typically find a groove. Allow your creativity to take you outside of that groove and explore new facets that are authentically you. In the “This Is Your Brain On Art” session, renowned American artist Judy Tuwaletstiwa calls this “finding new textures in yourself.” Instead of focusing on the finished product, Tuwaletstiwa stresses the importance of paying attention to how you’re getting there: the questions you’re asking yourself, the perspectives you invite in and the ways potential mistakes and pitfalls lead to discovery.
Utilize the whole brain, not half. We need to be able to learn and move quickly to perfect our ideas and always be on the lookout for new inspiration to strike. June Cohen explained that, “not every creative person scores big – or even at all…[they] have loads of ideas, but don’t know how to channel them.” She believes that it is the entrepreneurs who help breathe life into those ideas. You need to be able to utilize both sides of the brain and always be ready to adapt. In the same session, the host of the Masters of Scale Podcast, Reid Hoffman, stated that, “you have to have a differentiated contrarian, but right theory, and your go-to-market theory and your product theory and your service, you have to be constantly adjusting.” Changing our way of thinking by listening and moving quickly is something that is possible for anyone.
Bottom line here is to always be on the cutting edge: be ready for any new ideas, learn quickly from your mistakes and failures, and try again. Creativity and strategy are equally important to utilize together to achieve positive results for your ideas. If you are only relying on one side of the brain then you’re only reaching half of your potential. Surround yourself with right and left brain thinkers.
Do your homework. In the “Inclusive by Design” session, it was made clear by innovative fashion designers and data experts, that not understanding your customer results in market segments being completely neglected and ignored. The fashion industry is a perfect example of this. If you juxtapose the plus size rack with the straight size rack, it is clear to see that fashion labels have not done their homework and do not know their customers. There are some fashion-based, data driven brands that are starting to ask the right question: “what do my customers actually look like?” Brands are looking for data now to assist with the design process. We are seeing technology that sites use to personalize and fine-tune the shopping experience. The answers to various questions allows for a personalized experience for the customer and the brand gaining valuable data to help understand the market. Instead of using size 0 mannequins to design with, many companies are utilizing data as well as 3D technology to understand the body and create products that better fit their customers. Though we don’t design clothes here at CP, we practice and preach the importance of gathering data to analyze and help optimize our work for clients.
To sum all this up in just a few words: learn and create in all that you do. Try working with people you’ve never worked with before. Embrace the left brain and defend the right brain. And even when life tests us, optimism is always worth fighting for.
For further reading about these sessions, check out the following articles:
How spending a year in client service has shaped me as a creative
Donal Gaughran, Copywriter
As I sit here at my beautiful wooden desk in my home office (bedroom) on a sunny day in Dublin city, I can’t help but think of the desk’s origins.
When I was 7 I lit a box of matches, stuck them in the microwave, slammed the door shut, and ran. I’d been watching a show called Brainiac: Science Abuse on TV where they would ‘do’ science. Science like placing sticks of dynamite in microwaves… The kitchen was obviously destroyed, completely scorched, but hey… 15 years later and I have a beautiful desk, so not a total disaster.
Like my kitchen’s pathway to becoming a desk, my pathway to becoming a creative is a rather unique one, given I spent the first year of my young career as a suit.
I had always wanted to work in a creative department, but I studied a broad business degree, so figured I wasn’t really qualified for that kind of role. After college, I managed to get my foot in the door at one of Ireland’s most creative and well respected agencies, Chemistry.
I found a home in their client service department, working with really talented, fun and sound people, and was happy doing it. I also wasn’t totally useless at it, which helps. But as the weeks and months went on, I knew I wanted to be a creative.
Connelly Partners gave me an opportunity to prove myself as a copywriter. 12 months later and I’m still doing it. I do suffer from the occasional bout of imposter syndrome, and feel about as useful as a chocolate teapot. But generally speaking, I’m doing alright.
There’s 3 things in particular I’d say I’ve learned having spent time on either side of an agency, and it’s definitely made me a slightly ‘different’ creative for it.
———
1. We’re on the same team
Being told your totally perfect, amazing idea that you put your heart and soul into isn’t being chosen for a campaign sucks. Having to tell someone that their idea, that they put their heart and soul into, also sucks.
There are of course situations when as a creative you’ve got to push back, but sometimes you’ve just got to move on. Having been on the client-facing side, and understanding that sometimes no matter what you say the idea is doomed. Knowing what fights to pick certainly does make tantrums a little less likely.
That’s not to say I haven’t had any (I have), but I try and make sure not to shoot the messenger in the process.
2. We ALL crave flow
Whether you’re a copywriter, an art director, an account manager, or Barry, our Finance Manager in CP Dublin, we all perform at our best when we’re in the zone.
Flowstate is a “focus that, once it becomes intense, leads to a sense of ecstasy, a sense of clarity: you know exactly what you want to do from one moment to the other; you get immediate feedback,” Csikszentmihalyi said in a 2004 TED Talk.
As an account executive, organisation was key to finding flow. I’d block off hours and do all of my billing, becoming one with my computer. As a copywriter, it’s a little different. As well-respected adman Sir John Hegarty’s book, “Creativity: There Are No Rules” has already told you, there are no rules.
I now find flow scribbling in a notebook or talking into a voice recorder, at times of pure chaotic thinking and at times of organised thinking. There is rhythm, but there is no rhyme.
Having found flow in both sides of agency life, the big takeaway for me is that flow looks, and is, very different for different roles. The sooner we recognise that we both need it, and the sooner we help each other find it, the easier our lives will be.
3. We can disagree, we can’t be disagreeable
When everyone is invested in a project and trying to make the best work possible, disagreements are inevitable. We all might have different ideas for a campaign but we can’t run them all. As an account executive I always feared giving the ‘wrong’ feedback when it was my turn to speak.
I now realise that every voice, opinion and perspective is valuable, even if it disagrees completely with the creative’s idea.
If the idea is good, it’ll be able to stand up to inspection and there will be a strong rationale for it. Pushing back should be easy. As a creative, it can feel like you and your idea are under attack when an account manager is feeding back, asking questions, and being what feels like a little too pedantic. They’re doing it for the right reasons. Trust me, and them.
I firmly believe that the ability to disagree is integral in making interesting and impactful work. Although, if you’re being disagreeable, to quote Walter White from Breaking Bad, “I am the danger”.
Just kidding, but do be pleasant… please.
———
While you obviously don’t need to work in client service to be a great creative, it definitely has made me a better creative than I would have been otherwise. I’m more patient than I might have been, I’m more critical with my thinking and I’m comfortable presenting to clients. I wouldn’t swap that experience for anything.
That said, I’m not sure I could raise a purchase order without bankrupting the entire company…. so probably best I stick with the writing.
And as the sun continues to shine through on me and my kitchen countertop desk on what is now a sunny summer’s evening in Dublin city, I shall bid you farewell.
CP Insights: IAB 2021 NewFronts
Michelle Capasso, Director of Media Services, Mallory Bram, Media Director, Allie Umlah, Associate Media Director, Chris Corrado, Associate Media Director
CP attended this year’s IAB NewFronts – a week of programming and presentations from major partners in media and entertainment. Companies such as Amazon, TikTok, Twitter, Snap Inc., CondeNast took to the (virtual) stage to present their latest and greatest content line ups and what advertisers can expect in the coming year in terms of new programming, advanced targeting, and innovation. Below we share some of the insights from the week.
1. Storytelling and the rise of content creators
Just as streaming services are leaning on exclusive content for differentiation, social short-form video platforms are leaning on creators.
Propelled by consumer behavior during the pandemic, platforms from TikTok to Snap to YouTube took a moment during their respective sessions to highlight the significant increases in time spent across their platforms last year and what those trends mean for the future of content creation and social platforms.
Both Snap and Twitter touted over 30 percent year-over-year increases in time spent with their respective content lineups. As a result, both companies will be investing even more in developing partnerships that deliver high-quality, premium content on their platforms.
Meanwhile, TikTok continues to dominate the influencer landscape, signing high-profile creator partnerships with established and emerging talent. This year, TikTok focused on merging discovery and e-commerce by ramping up advertiser awareness of how to leverage its wide base of creators, highlighting user-driven trends like #TikTokMadeMeBuyIt, a hashtag where people show off new purchases that were influenced by other users on the platform.
Coming out of this year’s NewFronts, social platforms are betting big on high-profile creators and influencers to continue fine-tuning their storytelling capabilities and sharing entertaining content that attracts advertisers and drives user engagement and audience growth.
2. Video continue to take the lead
Video has been at the forefront of digital advertising over the last few years, but now more brands and partners are looking at video through the lens of scale + exclusivity.
In addition to their Prime Video offering, Amazon has made giant strides into the content ownership space with their exclusive NFL Thursday Night Football agreement, original programming on IMDb TV, and more recently their acquisition of MGM.
Other publishers, those you wouldn’t typically connect with video content creation, are entering the custom content space full-on.
CondeNast, Tegna, Verizon/Yahoo, Snap, Inc., and Twitter are all shifting their offerings and partnerships to align with the growing video consumption trend, by offering live streaming, custom content, or video on demand options.
Even further, as seen with a collaboration between KitchenAid and Hello Sunshine, with the help of Digitas – content partnerships and storytelling via digital video, create opportunities to showcase media-fueled creativity.
While retail and ecommerce habit shifts have been one of the biggest consumer stories over the past year or so, this year’s NewFronts mirrored an increasingly blurred line between “shopper” vs. “consumer.”
The closed loop attribution value proposition that has long been the mainstay of the shopper marketing space has become even more compelling and desirable as 3rd party cookie-based attribution models have shifted, and as consumers lean into ecommmerce for convenience.
With this accountability, it’s no wonder that many NewFront presentations introduced shoppable integrations, from Verizon’s cooler screens in Kroger’s to Conde Nast’s shoppable video.
It’s incumbent upon media buyers to see beyond the walls of our shopper vs. consumer space, and embrace the opportunity to merge these two disciplines (and budgets!)
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